Last summer my partner and I spent a month in Ireland. Below is a reflection I wrote after climbing Croagh Patrick, an ancient pilgrimage site where St. Patrick was said to have fasted for 40 days in the 5th century.
Up the holy mountain. Following a stream of stones and prayers into the mist. The fern-green embrace holds my pilgrimage. With each step it becomes clear that this mountain has known me from the beginning of time. It cradles the infinite. It holds in its heart specks of stars and primordial clay. It vibrates with the energy of the cosmos.
The final ascent is terrifying. An almost vertical climb on slate slippery stones. My heart drives blood through my body, into my shaky knees, through my ears. I hear its deep, booming pulse. It feels good to stretch, to breath, to move, to burn.
At last the slope begins to curve toward the summit and I see his bed, adorned with rosaries from around the world. A space held sacred for a millennium.
Nearby, the tiny mountain church, where I had hoped to take shelter from the cold and rain, is locked. For a while, I stand under a church eave eating a banana. I get ready to leave and walk around the building.
As I turn the corner, three old Irish men are standing at the church door. One of them has a key. (His daughter was married at the church last year and the priest forgot to ask for the key back.) He flings the doors open. I ask if I can join, and the four of us walk in.
It’s warm and dark and safe in the church. A statue of Patrick stands behind the tabernacle next to Christ on the cross. The fellas walk past the kneelers, up to the simple altar.
They ask me to take their picture with the Saint and the Son of God. I do. Then one them takes out a flask and four small metal cups. He pours the whiskey into the cups on the altar.
He looks to his friends, “Boys, this one’s for Damien.”
He slides me a glass, “Fer the photographer.”
We throw back the whiskey. The warm spreads down my cold body. They ask if I want another. They say if I have a couple more, I could fly down the mountain.
I thank God that the Church, in that moment, was stripped down to what it was meant to be. A place for ordinary people to share life, to create sacrament, to claim as our own. I thank God for the sanctity of complete strangers. I thank God for the Eucharist in a shot of whiskey on the Holy Mountain.
Joe Kruse, a friend of Sister Julia through the La Crosse, Wisconsin, community, is one of the founders of the Minneapolis Catholic Worker community in south Minneapolis, Minnesota. He grew up around Catholic Workers at the Place of Grace Catholic Worker community his parents helped start in La Crosse. Now he spends most of his time working at Rye House, one of the Minneapolis Catholic Worker hospitality houses. He also has invested a lot of time and energy into anti-frac sand organizing, leading discussions and workshops about structural racism and white privilege, and activism around racial and economic justice in Minneapolis.
Sister Sarah Hennessy is a Franciscan Sister of Perpetual Adoration based in La Crosse, Wisconsin. She grew up in North Carolina as an active Quaker and became a Catholic in 2000. For her, Jesus’ messy business includes falling in love with Christ AND with the People of God! Her heart is on fire for the Hispanic community, poetry, playing guitar and accompanying people through birth, death and the living that comes in between. She currently ministers as the perpetual adoration coordinator at St. Rose Convent, as a Mary of the Angels Chapeltour guide, and a volunteer at Franciscan Hospitality House.
The Lenten journey is ending and it is time to emerge from the desert and enter into the Paschal mystery.
Holy Week has arrived! Here’s a quick background on these sacred days in the Church year:
For your prayer and mediation this week, I’d like to share with you a couple of poems written by a fellow Franciscan and my friend, Br. David Hirt:
(For Monday of Holy Week)
You came into our life on feet
like dusty heartbeats, beating bare,
your human heart out-pouring love
and life for one whom even death
itself could not keep back from you.
And I have nothing worth your gift;
incomp’rable, to place into
your hands but my most costly thing;
a poor excuse compared with All.
This earthen vessel, feminine,
I break before your dusty feet
and pour its oil, perfumed and rich,
to cleanse the dust from calloused toes
and wipe them, intimate, with hair
that just a spouse should see and fear
I intimate your death. This gift,
this chrism meant for you alone
lifts up its heady scent and fills
this house like prayer, confirming dust
with sanctity and all because
you came into my life on feet
like dusty heartbeats beating bare.
(A Poem for Holy Thursday)
And everything is upside down,
like faces mirrored in a bowl:
an earthen vessel, roughly formed,
that’s full of water while the one
who once was robed, incomp’rable,
in light removes his outer robe
to tie a tow’l, a servant’s garb,
around his waist and stoops to wash
his foll’wer’s feet of traces from
the dusty Roman roads they’ve walked.
Yes everything is upside down
for whom in all this world would like
to think that him whose praise we sang,
“Hosanna to King David’s son,”
should stoop to take a servant’s part.
Oh we would rather he should reign
on high with us at his right hand.
But Servant Lord, incomp’rable,
you call us to remove our pride,
an outer robe, and stoop to wash
all others’ feet: humility,
and thrust down deep our dusty feet —
to take the love you offer us —
into the bowl reflecting you.
Read the rest of Friar David’s poems for Holy Week here.
Holy One, Open me to your mystery during these sacred days. Change me and renew me, so I may enter into the Easter season prepared to celebrate and proclaim your Good News with my life. Amen.
An old building in disrepair, collapsing toward the ground.
A rusting, defective car, stuck in layers of mud.
The sight of the simplest crack in a sidewalk can still my body, stun my soul.
The colors and textures of a simple, broken branch can inspire poetry.
It may be a bit bizarre, but brokenness really can become a gallery art piece to me.
I am in awe of the beauty of brokenness because I relate to the ordinary being an un-mended mess—a mix of decay and transformation. The objects all around me feel familiar because I have been broken and mended, again and again.
Oftentimes, it seems that brokenness is what helps me to become most in touch with my humanity; I know that this part of my nature doesn’t make me unique. In service and contemplation, I have touched physical and mental wounds in myself and others. I have heard people pour forth the worse of spiritual sorrow, anguish and misery. At times, my own doubts and struggles have been so intense that I felt incapable of doing anything but collapsing, quitting. Don’t we all feel dysfunctional, inoperable and crumbled in certain circumstances, in one way or another?
It seems to me that the season of Lent has much to do with this brokenness. As Holy Week nears and we enter into the most sacred days of the Church year, let us check in. What has happened in our hearts and in our lives as a result of our fasting, praying and penance in the desert? How have these desert days helped us to recognize where we are in need of mending, healing and reconciliation in our lives? How have our eyes been opened to the truth of our interdependence, of how we are made for community, for Christ, for others? How have we been transformed and changed? And what scars can we now bear more courageously?
A few weeks ago, I presented a program at the spirituality center where I minister about this passion of mine, the beauty of brokenness. After shared contemplation, we attempted to convey our reflections through the Japanese craft of kintsugi, which repairs objects with gold in order to highlight and honor the history of the object: the beauty of the cracks.
Here is where I learned about how to experience kintsugi, without becoming an apprentice in Japan.
During the workshop, we considered how we all might be like broken cups within God’s hands as we tried to piece them together—a complex, layered puzzle. Another poem, “The Perfect Cup” by Joyce Rupp, helped foster this reflection.
Honestly, I found it challenging to try kintsugi. My fingers became sticky, gold-spattered messes. I even cut my fingers a little on the broken cup I tried to repair. In the end, though, I really liked what I held in my hands.
In fact, I have decided that what I created is a perfect vessel for light, a beautiful place to burn candles within.
Leonard Cohen’s song “Anthem” includes the lyrics “There is a crack in everything. That’s how the light gets in.” My experience trying kintsugi and reflecting on my likeness to a broken cup in God’s hands caused a spin on Cohen’s wisdom to emerge.
I believe we all are broken so that God’s light can shine out through our cracks.
By God’s grace, let us be strengthened and transformed so we can see the beauty of our brokenness. With the arrival of Holy Week around the corner, may we be ready for God’s light to beam brightly from us all. May the resurrection energy shine through our cracks, so we can help illumine dimness near and far. Amen!
Michael Krueger first met Sister Julia in La Crosse, Wisconsin, as an undergraduate student at Viterbo University and dishwasher at St. Rose Convent. She was the only sister who didn’t leave a generous tip. (All joking aside, the one and only tip he actually received was the priceless call to FSPA affiliation in 2009). He credits that “top-notch Franciscan education” for putting him on a path to La Crosse’s Place of Grace Catholic Worker House (where he lived for two-and-a-half years), SOA peace vigils, work with developmentally disabled adults (inspired by Jean Vanier and L’Arche), commitment to social justice and a chance dinner with Roy Bourgeois. He currently lives near Madison with his wife and young daughter, and recently joined efforts to begin a Catholic Worker community there.
Happy Feast of St. Clare! The following prose-poetry is dedicated to her.
This past Monday I drove north, from Kansas City to La Crosse, through lush fields of green growing up towards the sky. As I moved, my eyes focused on the constant road. It was an all-day drive after a two-month pilgrimage of study, retreat, service, connecting and contemplation in states called Illinois, Iowa, Nebraska, Missouri, Kansas, Colorado and New Mexico. (At one point this summer I also saw South Dakota from the other side of the Missouri River in Sioux City, Iowa.)
Now I am back in Wisconsin resisting (partly) a necessary reset of my mind after an experience among a community of creative Christians at The Glen Workshop: I am trying to write an academic paper while poetry in my memory and future propel me backward and forward–as the language of academia conflicts with what my soul desires. This tension is a bit like the thunderstorms that clouds can create; the electricity of the different parts of my mind can also create downpours.
Driving north over concrete and asphalt my gaze floated upward toward the expansive sky, bright blue and full of the puffs of evolving white clouds–clouds slow dancing with cheer and optimism. The clouds moved, merged, formed shapes of glory, as The Great Artist presented signs and affirmations by way of the best piece of interactive installation art ever made: this infinite, expanding universe. With each opening created in the clouds, I pondered my constant sense that The Great Artist was providing encouraging nods of “Keep moving in the right direction” and “Yes, you are part of my wonders, too.”
In the silver machine of mystery (the car, so it is to me) I listened to phenomenal podcasts as I made my way over horizons and toward my home. The words of poets, scientists and journalists multiplied my awe for the beauty and complexity of God’s creation, of this world made so multidimensional by the way we humans interact with God’s doings and pretty much make messes all over the place. I was completely blown away when I heard Paulo Coelho speak about his journey into becoming a writer. I was inspired by how Naomi Shihab Nye overturns the poetry found in ordinary life. I was flabbergasted by the scientific discoveries being made about the intelligence of the forest. And, I was horrified by the reality of what life is like for refugees in Greece nowadays. In each story told, the true wildness of who God made us to be and who we are was exposed: we are one, the body of Christ revealed by way of loving, enfleshed in service and creativity.
Across the expansive sky I saw diamonds and other mysterious shapes made from clouds. I saw hearts form, widen, evolve. Over rolling plains of farmland, human stories sort-of hugged me in the car container from all sides; tales of tough Truth and invitations to participate in God’s goodness came at me in surround sound. I gasped and grinned for the beauty of the images combined with Truth made into sounds, for the swirling mess of life and beauty enfleshed everywhere.
Hands on steering wheel, mind awake, foot on pedal, eyes wide open, heart expanding. Through God, in God, and by God the clouds moved. And so did I. So did all of us, as one.